A twilight hour performance installation that uses the changing mood of sunset to create a shifting and immersive environment of movement, light, and sound. Conceived by choreographer Meg Foley in collaboration with lighting designer Lenore Doxsee and composer Chris Forsyth, “The whole time in the meanwhile.” resides in a place between visible and invisible, near and far.  In an expansive room continually re-imagined through color saturation and discretely spatial music,  the dance reframes the distance between audience, performer and architecture. The performance is not happening to you but with you, the installation a container for an experience that magnifies how we feel, hear and see time passing.